No Internal Thing

In a playful bid to think about thought, No Internal Thing is a feverish collision of moving image, sound and voice, that performs what is known as ‘inner speech’. It’s a polyphonic headscape, a mental score, a response to thinking as a state of ventriloquy – where what is most ‘inner’ is actually outer: social and impersonal. Blending speech, sound effects and musical fragments, the audio is populated by disparate parts that chatter and clash and chase after narrative. What keeps them afloat is what threatens to capsize them: cultural myths, accusations, quotes, wisecracks, song lyrics, moral injunctions, uninvited memories, and the pervasive detritus of advertising.

Commissioned by TACO! in 2024, No Internal Thing was developed for the context of Blurt, a platform for sonic experiments in text, with a live audience and broadcast. The first iteration combined live and pre-recorded voice, and was performed from atop a lifeguard’s chair at the back of the gallery, with audience seating loosely arranged in two cerebral hemispheres. Projected onto the opposite wall was an ocean churning in red and pink, filmed from above and below the water, with occasional snatches of an indistinct body submerged among the debris.

No Internal Thing has since been presented in an audio-visual format for screenings in London, including XYZ in 2024 and HQI in 2025. It is available to watch and listen here.

The work was discussed in an interview between Flo Ray and Gina Prat Lilly of TACO! for the Speech Muse Festival programme, which can be read here.

The script accompanying No Internal Thing was shortlisted for the inaugural Art Writing Prize in 2024, and will be published in TACO!'s forthcoming anthology in 2026.

Duration: 00:31:30

With support from Keely Myers and Hannah Cobb.

Event photos by Mat Jenner and Claudia Gudin.